I am the dust in the sunlight,
I am the ball of the sun…
I am the mist of morning,
the breath of evening…
I am the spark in the stone,
the gleam of gold in the metal…
The rose and the nightingale
drunk with its fragrance.
I am the chain of being,
the circle of the spheres,
The scale of creation,
the rise and the fall.
I am what is and is not…
I am the soul in all.
Rumi
"Amy Sherald (born 1973) is an American painter based in Baltimore, Maryland. Her work started out autobiographical in nature, but has taken on a social context ever since she moved to Baltimore. She is best known for her portrait paintings that address social justice, as well as her choice of subjects, which are drawn from outside of the art historical narrative. Through her work, she takes a closer look at t the way people construct and perform their identities in response to political, social, and cultural expectations.”
Interview with Amy Sherald, winner of first prize at “The Outwin Boochever 2016” for her painting: “Miss Everything (Unsuppressed Deliverance).”
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The Stallion, Gillibrand, 1817
Charles Towne
"Horses contributed significantly to Britain’s rich history and culture. They played an important role in hunting and the sport of organized horse racing. Either arena could have been where this gray stallion frolicked. Charles Towne obtained great celebrity with his portraits of working animals. Painted with diligent and affectionate care, this portrait suggests the animal’s importance to its owner. The stallion’s name, Gillibrand, could connect it to a Mr. Gillibrand who was a registered breeder of racehorses in Cheshire, near Liverpool."
“The owl,” he was saying, “is one of the most curious creatures. A bird that stays awake when the rest of the world sleeps. They can see in the dark. I find that so interesting, to be mired in reality when the rest of the world is dreaming. What does he see and what does he know that the rest of the world is missing?” ― M.J. Rose, Seduction
Friday the 13th – Seek an owl if you want a baby girl
“Incidentally, the world is magical.
Magic is simply what’s off our human scale… at the moment.” ― Vera Nazarian
Arab Horsemen
Adolf Schreyer
"Although born in Germany, Schreyer spent much of his career in Paris. Like Fromentin, whose A Ravine: Souvenir of Algeria is exhibited nearby, he was one of many artists attracted to the exoticism of Arab subjects. His visit to Algeria in 1861 probably inspired this image of an Arab chieftain, mounted on a dark horse and surrounded by his companions. Schreyer was particularly well-known as a painter of horses, and this work highlights his mastery of equine anatomy. He was also an admirer of Delacroix's rich color, and Schreyer's own sparkling brushwork is evident in his rendering of costume as well as the harnesses and tassels of the horses."
Circular Plaque, ca. 1870
Joseph-Théodore Deck
"This plaque combines designs from Islamic metalwork with the vivid coloring of Islamic ceramics. The artist, Théodore Deck, was an innovator in French ceramics during the mid-1800s (his work can also be seen in Gallery P32). Deck was fascinated with researching and reproducing lost ceramic glaze recipes, especially those found on ceramics made from the 1400s through the 1600s in Isnik (a Turkish town). The peacock blue he reinvented came to be known as Deck blue."
The Garden of Les Mathurins at Pontoise, 1876
Camille Pissarro
The woman in the painting is believed to be Maria Deraismes a prominent author and political figure in 1860s France who fought for women’s rights and who was a friend of Pissarro.
"This painting is an unusual subject for Pissarro, who typically preferred more rustic scenes. Here we see a comfortable, middle-class environment, whose peace and prosperity are enjoyed by the well-dressed woman in white. To her right is a glass reflecting ball, and the arrangement of the garden demonstrates the 19th-century fashion for flowers with bright, strong colors. At the time this picture was painted, Pissarro was attempting to give more structure to his loose, Impressionist style. He does so through the solid contrasts of complementary colors-red and green, blue and orange-and dense brushwork applied with small strokes." -- Nelson-Atkins Museum of Art
Lakota Instructions for Living
White Buffalo Calf Woman
Friend do it this way – that is,
whatever you do in life,
do the very best you can
with both your heart and mind.
And if you do it that way,
the Power Of The Universe
will come to your assistance,
if your heart and mind are in Unity.
When one sits in the Hoop Of The People,
one must be responsible because
All of Creation is related.
And the hurt of one is the hurt of all.
And the honor of one is the honor of all.
And whatever we do affects everything in the universe.
If you do it that way – that is,
if you truly join your heart and mind
as One – whatever you ask for,
that’s the Way It’s Going To Be.
To download a digital file of the Timeline History of the Kaw Nation, click here.
The Record Player (1939)
Karl Hofer
"The woman in this painting is lost in her thoughts. One strap of her undergarment has slipped from her shoulder. Red light bathes the left side of her face, shoulder, and arm. The background is dark and cavernous. No music sounds. What could account for this ominous tone? In 1937, Adolf Hitler labeled Karl Hofer and other modern artists "degenerate." Hofer’s paintings were confiscated. He was removed from his teaching post at the Berlin University of the Arts and was forbidden to paint. In 1939, Nazi Germany invaded Poland. World War II began. Still, Hofer painted."
Maverick Mist 