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A Lazy Fisherman

Posted by Maverick ~ on March 9, 2018
Posted in: Art, Music, Photography. Tagged: A Lazy Fisherman, Bing Crosby, Gone Fishin', John Gadsby Chapman, Louis Armstrong, Nelson-Atkins Museum of Art, Oil on canvas.

A Lazy Fisherman
John Gadsby Chapman
American (1808-1889)

 A critic in 1844 described this barefoot boy in ragtag clothing as "laziness personified." His complete ease is embodied in his languid pose and heavy lidded eyes and echoed in the fallen basket, lax fishing line and sluggish river. This sentimental view, rendered with creamy, smooth brushwork, developed from John Gadsby Chapman's experience illustrating volumes of romantic verse. His talent for drawing is revealed in the boy's hat, clothing and especially in the outturned foot.

Chapman desired, above all, to be a history painter, but he painted portraits and genre scenes to earn a living. Pleasing scenes of children were especially popular in the mid-19th century as they offered musings on childhood innocence and freedom in an increasingly challenging world.

🎣

WPC: Story

Posted by Maverick ~ on March 8, 2018
Posted in: Music, Photography, Weekly Photo Challenge. Tagged: art gallery, DPchallenge, James Lafferty, Maxine Kumin, Moody Blues, postaday, Story, The Story in Your Eyes, Weekly Photo Challenge.

 "We are, each of us, our own prisoner. 
We are locked up in our own story." - Maxine Kumin

"The picture alone, without the written word, 
leaves half the story untold." - James Lafferty

👁👁

Weekly Photo Challenge: Story

Pictographic Dress, Lakota

Posted by Maverick ~ on March 7, 2018
Posted in: Music, Photography. Tagged: Lakota, Lakota Lullaby, Nelson-Atkins Museum of Art, Pictographic Dress, Robert "Tree" Cody.

Pictographic Dress, Lakota
(Teton Sioux) (1885)
North or South Dakota
Muslin, graphite and pigment

 "Lakota, muslin dresses painted with battle scenes could be worn only by women who had lost relatives in war.  This dress belonged to Silent Woman (Ini'laon'win), whose brother, Bobtail Bear, had been killed in battle with the Crow. Painted by a male relative, the individual scenes covering the front and back of the dress represent Bobtail Bear's military exploits and accomplishments.  While each side forms and overall pictorial composition, the various episodes represent distinct events separated in time and place. Bobtail Bear's glyph, or name symbol, appears over many of the figures, thus identifying him in the actions portrayed.  Other symbols--human hands (touching the enemy), human heads (slain enemies), pipes (war parties led by Bobtail Bear) and horse tracks (enemy horses taken)--represent additional honors.”

"In the 19th century, when Mandan and Lakota warriors returned home after a battle, the tribe would hold a War Honor Dance (also called Victory or Return from Kill Dance), where women would wear pictographic dresses painted with combat scenes to honor their husbands, brothers, or sons killed in battle.  They would also wear these dresses on other ceremonial occasions.  The battle scenes were traditionally painted by male artists for the woman dressmaker, since only men could create representative art, while women would create designs, sometimes resulting from visions, that would bring power to the wearer."  *

🔺

Study for The Thirsty Drover

Posted by Maverick ~ on March 6, 2018
Posted in: Art, Music, Photography. Tagged: Bring Me Little Water Sylvie, Francis William Edmonds, Study for The Thirsty Drover, Sweet Honey In The Rock.

Study for The Thirsty Drover
Oil on paper (1856)
Francis William Edmonds

Outside a thatched cottage (partially visible at far left), a man on horseback receives a pitcher of water from a small girl with pigtails. The well form which the girl has drawn the water as well as her mother at her washing and a younger child fill the left side of the image. Baskets of washing and chickens pecking the ground are seen at center foreground. In the distance is a hilly landscape, and at right, another man on horseback driving cattle his visible.

🍯

Panel – Gatti

Posted by Maverick ~ on March 5, 2018
Posted in: Art, Music, Photography. Tagged: and glass, Cats, ebonized walnut, Ebony, Elaine Paige, Giovanni Battista Gatti, ivory, memory, Panel.


Panel

Ebony, ebonized walnut, ivory, and glass
Giovanni Battista Gatti
(Italian, 1816 – 1889)

"Rectangular ebony panel with two large ebonized walnut oval frames within which are glass cameo portraits of William and Elizabeth Gilstrap, surrounded by intricate inlaid ivory grotesques of monsters and foliage. Beneath the portraits are the Gilstrap arms. Between the two framed ovals is a female figure holding wreathes over the two portraits. At the corners of the panel are four lobes with ivory portraits of Italian Renaissance artists: Michelangelo, Raphael, Leonardo, and Perugino. The border between these lobes is decorated with inlaid ivory grotesques and foliage as well as cameo portrait busts of ancient philosophers and emperors: Galba, Socrates, Tiberius, Plato, and Vespasian.

Giovanni Battista Gatti specialized in decorative objects made of ebony with elaborate inlaid ivory ornament. The intricate technique and the motifs of grotesques, foliage, and animals drew from Italian and German Renaissance sources. In this panel, Gatti included ivory portraits of the Italian Renaissance artists Leonardo, Michelangelo, Raphael, and Perugino. He also incorporated portraits of ancient philosophers and emperors. Gatti (Italian for “cats”) often included his namesake in his works. Can you find a feline face near the center of the panel?"

Guitar Player

Posted by Maverick ~ on March 4, 2018
Posted in: Art, Music, Photography. Tagged: André Derain, Capricho árabe, Classical guitar, David Russell, Francisco Tárrega, Guitar Player, Nelson-Atkins Museum of Art, painting, Peace.


Guitar Player
André Derain
French, 1880–1954

Painted in rich, warm tones of cream and brown, André Derain’s painting evokes the resonant sound of the guitar. The carefully balanced composition and harmonious flow of line, together with the musician’s casual open collar, rolled shirtsleeves, and crossed leg, further enhance this mood of lyrical peacefulness.

Prior to his service in World War I (1914–1918), Derain painted dynamic compositions in intense colors. After the war, he used subdued colors, orderly compositions, and a warm light reminiscent of Rembrandt.

🎸

Sculpture of Surya

Posted by Maverick ~ on March 3, 2018
Posted in: Art, Music, Photography. Tagged: Gupta Dynasty, Here Comes the Sun, India, Nelson-Atkins Museum of Art, Richie Havens, Sculpture of Surya, sun god.

Base of a Sculpture of Surya
North India, Mathura region
Gupta Dynasty (300–699 C.E.), 6th–7th century
Red sandstone

"The sun god Surya was driven daily across the sky in a chariot drawn by seven horses.  These are shown here, one in the center facing forward, and three at each side. The driver of the chariot Aruna, the dawn, is shown seated in a niche above the central horse. In this fragmentary sculpture, only the knees of Surya remain."

☀

 

Apple Blossoms

Posted by Maverick ~ on March 2, 2018
Posted in: Art, Flowers, Music, Photography. Tagged: Apple Blossoms, Cherry Pink and Apple Blossom White, Georgia O'Keeffe, Perez Prado.


Apple Blossoms
(1930)
Georgia O’Keeffe
American, 1887-1986

Apple Blossoms is one of more than 200 paintings of flowers Georgia O'Keeffe created. Characteristically, she asserted the abstract qualities of her subject by painting it close to the surface of the picture plane, a technique that isolates the blossoms from their larger environment. This ensures that they are disconnected from narrative and imbues them with an iconic presence.

While O'Keeffe resented autobiographical interpretations of her art, she identified personally with apples. Her husband, photographer and gallery owner Alfred Stieglitz, photographed her with apple trees at their summer home at Lake George, New York, where she likely painted Apple Blossoms. Furthermore, Stieglitz thought of himself as a gardener cultivating his talented wife to produce the "fruit" of great American art.

🌸

WPC: Out of this World

Posted by Maverick ~ on March 1, 2018
Posted in: Art, Music, Photography, Weekly Photo Challenge. Tagged: DPchallenge, Hahui, Han Dynasty, Jade burial suit, Nelson-Atkins Museum of Art, Out of this World, postaday, Weekly Photo Challenge, Xianghe Song-Your Collar.

“Jade suits were the most important of the jade burial goods used in the Han dynasty. This suit is the earliest and most elaborate one discovered. It is formed of 4,248 pieces of jade knotted together with gold wire. Unlike other jade suits, which typically use inferior jade, this one was created with high-quality jade polished to a glossy sheen. The suit was constructed in parts corresponding to the parts of the body, which were then sewn together using red silk. The suit was found in pieces and has been reconstructed using modern silk and gold.”

Jade burial suit with gold thread. Excavated in 1994-  1995 from the tomb of a king of Chu at Lion Mountain.

🌞

Weekly Photo Challenge: Out of this World

Books on a Table

Posted by Maverick ~ on February 28, 2018
Posted in: Art, Music, Photography. Tagged: 1900, Art, Book of Love, Books on a Table, John Frederick Peto, Nelson-Atkins Museum of Art, Peter Gabriel, Still Life.


Books on a Table
Oil on canvas
      John Frederick Peto
     

American (1854-1907)

John Frederick Peto painted still life arrangements almost exclusively, a choice likely inspired by its strong tradition in his native Philadelphia, begun almost a century earlier by the Peale family.

Books on a Table presents a variety of objects associated with a gentleman's study. Precariously balanced, the arrangement suggests contemplation, if not lament, of the end of the 19th century. The quill pen and candle mark technologies that were antiquated by 1900. The magically turning pages of the book at the apex of the composition invoke the passage of time. The isolated and neglected objects may also symbolize the painter himself, who created his art in virtual seclusion.

📗

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