Maverick Mist

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The Hospital Window

Posted by Maverick ~ on June 17, 2018
Posted in: Inspiration, Music, Photography, Poetry. Tagged: Cat Stevens, Father's day, James L. Dickey, Oh Very Young, The Hospital Window, Yusuf Islam.

The Hospital Window
By James L. Dickey

I have just come down from my father.
Higher and higher he lies
Above me in a blue light
Shed by a tinted window.
I drop through six white floors
And then step out onto pavement.

Still feeling my father ascend,
I start to cross the firm street,
My shoulder blades shining with all
The glass the huge building can raise.
Now I must turn round and face it,
And know his one pane from the others.

Each window possesses the sun
As though it burned there on a wick.
I wave, like a man catching fire.
All the deep-dyed windowpanes flash,
And, behind them, all the white rooms
They turn to the color of Heaven.

Ceremoniously, gravely, and weakly,
Dozens of pale hands are waving
Back, from inside their flames.
Yet one pure pane among these
Is the bright, erased blankness of nothing.
I know that my father is there,

In the shape of his death still living.
The traffic increases around me
Like a madness called down on my head.
The horns blast at me like shotguns,
And drivers lean out, driven crazy—
But now my propped-up father

Lifts his arm out of stillness at last.
The light from the window strikes me
And I turn as blue as a soul,
As the moment when I was born.
I am not afraid for my father—
Look! He is grinning; he is not

Afraid for my life, either,
As the wild engines stand at my knees
Shredding their gears and roaring,
And I hold each car in its place
For miles, inciting its horn
To blow down the walls of the world

That the dying may float without fear
In the bold blue gaze of my father.
Slowly I move to the sidewalk
With my pin-tingling hand half dead
At the end of my bloodless arm.
I carry it off in amazement,

High, still higher, still waving,
My recognized face fully mortal,
Yet not; not at all, in the pale,
Drained, otherworldly, stricken,
Created hue of stained glass.
I have just come down from my father.

🏥

Tree

Posted by Maverick ~ on June 16, 2018
Posted in: Art, Music, Nature, Photography. Tagged: 1934, Alfred Stieglitz, American, Arthur Garfield Dove, Georgia O'Keeffe, Marsden Hartley, moderism, nature, Nelson-Atkins Museum of Art, Shirley Bassey, The Living tree, Tree.

Tree
Arthur Garfield Dove
American – 1934
Oil on canvas

'Arthur Dove's Tree suggests the restless energy and restorative powers of nature. Comprised of undulating, organic forms and an earthy palette of browns and tans, the painting features a large tree limb stretching across the composition and silhouetted against paler, flamelike shapes. These integrated forms suggest the strong, interconnected elements of nature. The composition's horizontality links the painting discreetly to the traditional landscape painting. 

Rooting his art deeply in the natural world, Dove was a pioneer in abstraction. He created his earliest abstract compositions in the 1910s, and his efforts were supported by New York-based photographer and gallery owner Alfred Stieglitz. A major proponent of modernism in America, Stieglitz also promoted the work of Georgia O'Keeffe and Marsden Hartley, among others.'

🌳

After the Rain in the Salt Marshes

Posted by Maverick ~ on June 15, 2018
Posted in: Art, Music, Nature, Photography. Tagged: 1860's, After the Rain, After the Rain in the Salt Marshes, American, Boney James, Jazz, Landscape, Martin Johnson Heade, Nelson-Atkins Museum of Art, Oil on canvas.


After the Rain in the Salt Marshes
Martin Johnson Heade

American, 1819-1904 
Oil on canvas

'Martin Johnson Heade was best known in his lifetime, as today, for his marsh paintings, a subject he first undertook in the 1860s. Although Heade painted marshes in Massachusetts, Rhode Island, Connecticut, New Jersey and Florida, he captured the overall character of marsh life, rather than recalling specific locales. After the Rain in the Salt Marshes incorporates hallmarks of Heade's marsh compositions: a strongly horizontal view of the landscape, cut by a winding ribbon of water and dotted with haystacks receding into the distance. Heade also often added strong directional light effects to create dynamic patterns of shadows that animate the otherwise calm scene.' 

☔️

Spirit of the 1960s and 1970s

Posted by Maverick ~ on June 14, 2018
Posted in: Art, Music, Photography. Tagged: black and white photography, Garry Winogrand, Kemper Museum of Contemporary Art, Spirit of the 1960s and 1970s, The Byrds, Turn Turn Turn.


“I don’t have messages in my pictures…The true business of photography
is to capture a bit of reality (whatever that is) on film.” – Garry Winogrand

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🕊

Duo

Posted by Maverick ~ on June 13, 2018
Posted in: Art, Music, Photography. Tagged: compassion, Duo, Georges Rouault, Judy Collins, Nelson-Atkins Museum of Art, Oil on canvas, Send in the Clowns.


Duo
(about 1930 -1935)
Georges Rouault 
Oil on canvas

Two clowns, outlined heavily in black, face one another. One wears a costume of intense red, while the other is dressed in harlequin colors.

Georges Rouault was a deeply spiritual man. His compassion for social outcasts and human suffering can be felt in his paintings, many of which have overtly religious subjects. As a young man, the artist was apprenticed to a stained glass painter. His choice of rich colors and black contours may be a reference to church windows and their sacred scenes.

🎪

Pavonia-Jersey City

Posted by Maverick ~ on June 12, 2018
Posted in: Art, Music, Photography. Tagged: 1928, American, Nelson-Atkins Museum of Art, Oil on canvas, Pavonia-Jersey City, Pretty Woman, Reginald Marsh, Roy Orbison.

Pavonia-Jersey City (1928)
Reginald Marsh
American, 1898-1954
Oil on canvas

'Reginald Marsh's Pavonia-Jersey City shows casual activity in an industrial district in New Jersey. An attractive woman strides along the sidewalk of Pavonia Avenue and catches the attention of two men. Her allure is suggested by not only their gawking, but also the locomotive's whistling smokestack. Her rich red dress and position at the corner of the composition, where the entire weight of its design accumulates, ensure that she is the painting's primary focus.

Born in Paris, Marsh began his career in magazine illustration and worked among the initial staff of The New Yorker. A train enthusiast, the painter often crossed the Hudson River from his Manhattan studio to Jersey City, which had served as a transportation hub since the 19th century.'

🔸

Rising Sun

Posted by Maverick ~ on June 11, 2018
Posted in: Art, Music, Nature. Tagged: Edvard Grieg, Han Hoffmann, Kemper Museum of Contemporary Art, Morning, Oil on canvas, Rising Sun.


Rising Sun
Hans Hofmann
Oil on canvas

"The paintings that Hofmann produced in the 1950s and 1960s are a dazzle of color. While this is unabashedly painted color, with all the lurid force and crazy artificiality of the stuff that comes out of a tube, Hofmann somehow manages to use his electrically unnatural hues to create a whole variety of naturalistic effects. He excels at shimmers and halos and sparks and radiant glows, and he's terrific at suggesting a mysteriously effulgent darkness. He's also a master of textures, which in his work range from watercolored to impastoed, from cake-frosting smoothness to stucco-like roughness. Often in his painting, colors and textures are pushed to dissonant extremes, so that the artist's power is presented in perpetual, turbulent play. He knows how to achieve a beyond-analysis impact, as if we are seeing a brilliant sunset right after a fast-moving storm."

— Jed Perl, New Art City

🌞

Nocturnal Strength ~

Posted by Maverick ~ on June 10, 2018
Posted in: Flowers, Inspiration, Music, Photography, Poetry. Tagged: Fountain of Fire, Laylat Al Qadr, love, Night of Power, Night prayers, Nocturne, rose, Rumi, Secret Garden.

if you stay awake
for an entire night
watch out for a treasure
trying to arrive
you can keep warm
by the secret sun of the night
keeping your eyes open
for the softness of dawn

🌟🌟🌟🌟🌟🌟🌟🌟🌟🌟🌟🌟🌟

day is to make a living
night is only for love
commoners sleep fast
lovers whisper to God all night

Excerpts from “Rumi, Fountain of Fire”

⭐️

Deauville Racetrack

Posted by Maverick ~ on June 9, 2018
Posted in: Art, Music, Photography. Tagged: 1929., Dan Fogelberg, Deauville Racetrack, French, Nelson-Atkins Museum of Art, Oil on canvas, Raoul Dufy, Run For The Roses.

Deauville Racetrack (1929)
Raoul Dufy
French, 1877–1953
Oil on canvas

In cheerful colors and quickly sketched figures, Raoul Dufy captured the lively spirit of the Deauville Racetrack. Jockeys atop sleek horses meander through the crowd of fashionably dressed men and women enjoying a perfect day in the park behind the track.

Located in Normandy, on the northwest coast of France, the delightful beachside Deauville attracted wealthy visitors. Easy train travel from Paris made it a readily accessed destination.

🐎

Pergusa Three Double

Posted by Maverick ~ on June 8, 2018
Posted in: Art, Music, Photography. Tagged: abstraction, engravomg, Frank Stella, Italy, Kemper Museum of Contemporary Art, linocut, Pergusa Three Double, race track, Rossini, screen print, William Tell Overture: Final, woodcut.


Pergusa Three Double
(1984)

Frank Stella
linocut, woodcut, engravomg. screen print, edition 14 of 30

"Frank Stella was twenty-three when his Black Paintings were displayed in exhibition 16 Americans at the Museum of Modern Art in New York alongside work by Louise Nevelson and their contemporaries: Frank Stella, Jasper Johns, and Robert Rauschenberg.  These acclaimed works were created when Stella applied commercial black enamel paint with a house painter's brush to create a geometric pattern of thin, unpainted lines.  By the mid -- 1980's, however, Stella was working in a more exuberant--and colorful--mode.  Pergusa Three Double (1984), for example, is much less contained to geometric lines and forms than his earlier works; it is named for a race track in Italy and depicts an aerial view of this subject."  

🏎

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