The Lama
The one-l lama,
He’s a priest.
The two-l llama,
He’s a beast.
And I will bet
A silk pajama
There isn’t any
Three-l lllama.*
— Ogden Nash
Poetry
POINSETTIAS (Auchenflower)
– Emily Bulcock (1923)
Midwinter clutches on the skirts of June-
And lays her blighting touch on bud and flower,
Her west winds, shrilling, play an eerie tune,
Like witches’ mirth, in wild, triumphant hour!
Grey grows the world – yet see on hill and slope,
As bright thoughts flash through dull grief-laden day,
The red poinsettia raise its flag of hope!
And sudden, Spring seems not so far away.
Flame-Heart
by Claude McKay
SO much have I forgotten in ten years,
So much in ten brief years; I have forgot
What time the purple apples come to juice
And what month brings the shy forget-me-not;
Forgotten is the special, startling season 5
Of some beloved tree’s flowering and fruiting,
What time of year the ground doves brown the fields
And fill the noonday with their curious fluting:
I have forgotten much, but still remember
The poinsettia’s red, blood-red in warm December.
Full poem here.
Artist’s Life
by Wheeler Wilcox
Of all the waltzes the great Strauss wrote,
mad with melody, rhythm–rife
From the very first to the final note,
Give me his “Artist’s Life!”
It stirs my blood to my finger ends,
Thrills me and fills me with vague unrest,
And all that is sweetest and saddest blends
Together within my breast.
It brings back that night in the dim arcade,
In love’s sweet morning and life’s best prime,
When the great brass orchestra played and played,
And set our thoughts to rhyme.
It brings back that Winter of mad delights,
Of leaping pulses and tripping feet,
And those languid moon-washed Summer nights
When we heard the band in the street.
It brings back rapture and glee and glow,
It brings back passion and pain and strife,
And so of all the waltzes I know,
Give me the “Artist’s Life.”
For it is so full of the dear old time–
So full of the dear friends I knew.
And under its rhythm, and lilt, and rhyme,
I am always finding–you.
The Love Song of J. Alfred Prufrock
(excerpt)
I grow old … I grow old …
I shall wear the bottoms of my trousers rolled.
Shall I part my hair behind? Do I dare to eat a peach?
I shall wear white flannel trousers, and walk upon the beach.
I have heard the mermaids singing, each to each.
I do not think that they will sing to me.
I have seen them riding seaward on the waves
Combing the white hair of the waves blown back
When the wind blows the water white and black.
We have lingered in the chambers of the sea
By sea-girls wreathed with seaweed red and brown
Till human voices wake us, and we drown.
“Where are you hiding my love?
Each day without you will never come again.
Even today you missed a sunset on the ocean,
A silver shadow on yellow rocks I saved for you,
A squirrel that ran across the road,
A duck diving for dinner.
My God! There may be nothing left to show you
Save wounds and weariness
And hopes grown dead,
And wilted flowers I picked for you a lifetime ago,
Or feeble steps that cannot run to hold you,
Arms too tired to offer you to a roaring wind,
A face too wrinkled to feel the ocean’s spray.”
― James Kavanaugh, There Are Men Too Gentle to Live Among Wolves
I Heard a Bird Sing
– by Oliver Herford
I heard a bird sing
In the dark of December.
A magical thing
And sweet to remember.
“We are nearer to Spring
Than we were in September,”
I heard a bird sing
In the dark of December.
Exhilaration is the Breeze
That lifts us from the ground,
And leaves us in another place
Whose statement is not found;
Returns us not, but after time
We soberly descend,
A little newer for the term
Upon enchanted ground.
– Emily Dickinson
Thirteen Ways of Looking at a Blackbird
by Wallace Stevens
I
Among twenty snowy mountains,
The only moving thing
Was the eye of the blackbird.
II
I was of three minds,
Like a tree
In which there are three blackbirds.
III
The blackbird whirled in the autumn winds.
It was a small part of the pantomime.
IV
A man and a woman
Are one.
A man and a woman and a blackbird
Are one.
V
I do not know which to prefer,
The beauty of inflections
Or the beauty of innuendoes,
The blackbird whistling
Or just after.
VI
Icicles filled the long window
With barbaric glass.
The shadow of the blackbird
Crossed it, to and fro.
The mood
Traced in the shadow
An indecipherable cause.
VII
O thin men of Haddam,
Why do you imagine golden birds?
Do you not see how the blackbird
Walks around the feet
Of the women about you?
VIII
I know noble accents
And lucid, inescapable rhythms;
But I know, too,
That the blackbird is involved
In what I know.
IX
When the blackbird flew out of sight,
It marked the edge
Of one of many circles.
X
At the sight of blackbirds
Flying in a green light,
Even the bawds of euphony
Would cry out sharply.
XI
He rode over Connecticut
In a glass coach.
Once, a fear pierced him,
In that he mistook
The shadow of his equipage
For blackbirds.
XII
The river is moving.
The blackbird must be flying.
XIII
It was evening all afternoon.
It was snowing
And it was going to snow.
The blackbird sat
In the cedar-limbs
To a Friend
by Amy Lowell
I ask but one thing of you, only one,
That always you will be my dream of you;
That never shall I wake to find untrue
All this I have believed and rested on,
Forever vanished, like a vision gone
Out into the night. Alas, how few
There are who strike in us a chord we knew
Existed, but so seldom heard its tone
We tremble at the half-forgotten sound.
The world is full of rude awakenings
And heaven-born castles shattered to the ground,
Yet still our human longing vainly clings
To a belief in beauty through all wrongs.
O stay your hand, and leave my heart its songs!
Maverick Mist 