
Grandparents Farm

Grandparents Farm

Like a circle in a spiral
Like a wheel within a wheel
Never ending or beginning
On an ever spinning reel
As the images unwind
Like the circles
That you find
In the windmills of your mind
Artist’s Life
by Wheeler Wilcox
Of all the waltzes the great Strauss wrote,
mad with melody, rhythm–rife
From the very first to the final note,
Give me his “Artist’s Life!”
It stirs my blood to my finger ends,
Thrills me and fills me with vague unrest,
And all that is sweetest and saddest blends
Together within my breast.
It brings back that night in the dim arcade,
In love’s sweet morning and life’s best prime,
When the great brass orchestra played and played,
And set our thoughts to rhyme.
It brings back that Winter of mad delights,
Of leaping pulses and tripping feet,
And those languid moon-washed Summer nights
When we heard the band in the street.
It brings back rapture and glee and glow,
It brings back passion and pain and strife,
And so of all the waltzes I know,
Give me the “Artist’s Life.”
For it is so full of the dear old time–
So full of the dear friends I knew.
And under its rhythm, and lilt, and rhyme,
I am always finding–you.
“After climbing a great hill, one only finds that there are many more hills to climb.”
– Nelson Mandela
Cartier: “Painted Love” by AIR

Video – Somewheremaybe

Bill Millin
ANY reasonable observer might have thought Bill Millin was unarmed as he jumped off the landing ramp at Sword Beach, in Normandy, on June 6th 1944. Unlike his colleagues, the pale 21-year-old held no rifle in his hands. Of course, in full Highland rig as he was, he had his trusty skean dhu, his little dirk, tucked in his right sock. But that was soon under three feet of water as he waded ashore, a weary soldier still smelling his own vomit from a night in a close boat on a choppy sea, and whose kilt in the freezing water was floating prettily round him like a ballerina’s skirt.
But Mr Millin was not unarmed; far from it. He held his pipes, high over his head at first to keep them from the wet (for while whisky was said to be good for the bag, salt water wasn’t), then cradled in his arms to play. And bagpipes, by long tradition, counted as instruments of war. An English judge had said so after the Scots’ great defeat at Culloden in 1746; a piper was a fighter like the rest, and his music was his weapon. The whining skirl of the pipes had struck dread into the Germans on the Somme, who had called the kilted pipers “Ladies from Hell”. And it raised the hearts and minds of the home side, so much so that when Mr Millin played on June 5th, as the troops left for France past the Isle of Wight and he was standing on the bowsprit just about keeping his balance above the waves getting rougher, the wild cheers of the crowd drowned out the sound of his pipes even to himself. More…
General Order No. 11. – Bingham
Vladimir Kush
Video – Catandrea
Music – Pink Floyd’s The Division Bell: High Hopes